Wide context Reference: None Use case: photorealistic-natural. Asset type: original educational film-composition study, a single wide 16:9 film still, no text. Scene: an intimate old railway waiting room at blue hour with muted petrol-blue walls, tall rain-streaked windows on the right, warm tungsten practical wall light on the left, worn honey oak bench across the back wall, terracotta tile floor. One ORIGINAL FICTIONAL adult woman about 35 with dark curly bob, natural skin texture, mustard raincoat, dark trousers, small burgundy travel bag at her feet. She sits toward the LEFT THIRD of the frame facing and looking to camera-right toward the EMPTY RIGHT HALF of the bench, her hands resting naturally in her lap. Wide establishing framing, full seated figure and both feet visible, empty bench space reads clearly to right, enough room above head, straight verticals, eye-level viewing. No other people, no writing or signage. A subtle soft doorway edge at extreme left only. Quiet realistic independent film photography with restrained grain, physically plausible room details, warm skin against cool blue evening, no teal-orange blockbuster exaggeration, no glossy plastic skin. Composition must make the subject and the empty seat legible at thumbnail size. No logos, watermark, UI, diagram, frame border or text. This is an original fictional generated study still, not a photograph from an existing movie. Medium edit Reference: shot-composition-wide.png Edit target: the supplied original fictional railway waiting-room still. Make a new 16:9 MEDIUM composition of the SAME woman seated on the SAME bench, seen from approximately the same frontal viewing direction. Preserve recognizable identity, dark curly bob, mustard raincoat, dark clothing, hands resting in lap, right-facing gaze, blue wall, warm lamp and cool rainy window ambience. Frame from around hips upward, position her near the LEFT THIRD, and let a visible length of EMPTY bench occupy the RIGHT half in the direction she looks. Her face must be larger and more legible than in the wide reference. Do not center her, reverse her gaze, invent another person, or add props. The travel bag and feet can fall outside the tighter frame. Natural photorealistic indie-film still with subtle grain; no skin smoothing. Do not claim exact optical camera simulation; this is a reference-based framing edit. No text, grid, logo, diagram, border or watermark. Doorway edit Reference: shot-composition-wide.png Edit target: supplied original wide railway waiting-room still. Create an alternate SINGLE 16:9 composition of this SAME fictional adult woman with curly dark bob, mustard raincoat and dark trousers sitting on the SAME honey-oak bench, travel bag at her feet, warm wall lamp and rainy blue window light. Keep her looking camera-right, no other people. Change the framing intention to a FRAME WITHIN A FRAME: view from slightly farther back through the open doorway so two dark out-of-focus vertical door jambs and a thin dark top edge surround the interior, an unmistakable foreground portal. Keep enough of her full seated body and the EMPTY bench to her right visible, with woman near left third and empty seat right. Door jambs should occupy about 10 percent each of frame width, not cover face, hands or the empty-seat relationship. Preserve photographic realism and quiet blue-hour mood, believable natural skin and textile textures. Keep the reference identity, room layout, clothing and story prop recognizable, but this is a generative reframing study, not exact spatial camera simulation. No text, border graphics, logos, grid or watermark. Separate editorial cover Reference: shot-composition-wide.png Use case: ads-marketing editorial blog cover. Input image: original fictional railway waiting-room still as photographic reference. Create a polished 16:9 cinematic editorial cover with the same curly-haired adult woman in mustard raincoat, cool blue rain-window light and warm amber practical light, richly tactile photographic realism. Layout: on RIGHT 60 percent a compelling cropped medium view of her looking toward a readable patch of empty bench; on LEFT 40 percent a clean deep petrol-blue field subtly continuous with the wall, very large WARM IVORY bold condensed sans-serif editorial typography reading exactly "FRAME\nTHE\nSTORY" on three lines. Make the words crisp, generous spacing, 7 percent safe margin, readable at blog-card size. Elegant independent-cinema magazine art direction, contrast of mustard, amber and petrol blue, subtle film grain. No pills, category badges, logos, fake UI, rule-of-thirds grid, arrows, subheadings, tiny copy or watermark. This is separate conceptual editorial art referencing an original generated study, not part of the comparison or a movie poster for an existing film.