ORIGINAL SHORTS PILOT BRIEFS — CLOUT Authored November 5 2026 Planning documents only — no Higgsfield generation or measured video duration The 30-second ranges are editorial targets, not guaranteed model timing PILOT A — THE TINY VASE Original fictional creator-led framing demonstration Target: one vertical 30-second short, six editorial beats Subject: one adult fictional potter in a yellow apron, one small coral vase, cobalt studio Design invariants: one vase, one loop-free rounded body, narrow neck, unchanged glaze and scale Delivery: warm explanatory voice, readable short captions, no claimed product endorsement Proposed assistant request: /shorts Plan one original short called The Tiny Vase using my authorized character and voice choice. Use a suitable preset only for pacing, caption rhythm and broad visual direction. Keep my script and object design original. Show the proposed scene plan, supported settings and current charge before submitting a generation. Do not invent a model, price or publishing capability. A written budget is a planning preference, not an enforced provider limit. Exact proposed script: Why does this tiny vase look so important? First, give it a place in the room. Then bring the maker and object together. Move close enough to see one detail. Now return to the wide view. Nothing grew. The order changed what you noticed. Try wide, medium, detail. Editorial beats: 00:00–00:05 | Question | A tiny coral vase sits alone on a large cobalt shelf | Why does this tiny vase look so important? | Caption: TINY VASE 00:05–00:10 | Context | A wide view reveals the fictional potter and the shelf | First, give it a place in the room. | Caption: 1 WIDE 00:10–00:15 | Connection | Medium view of the same potter holding the vase | Then bring the maker and object together. | Caption: 2 MEDIUM 00:15–00:20 | Detail | Close view of the glaze without changing the vase shape | Move close enough to see one detail. | Caption: 3 DETAIL 00:20–00:25 | Return | Return to the original wide view with the same vase | Now return to the wide view. Nothing grew. | Caption: SAME VASE 00:25–00:30 | Payoff | Three authored framing cards end beside the vase | The order changed what you noticed. Try wide, medium, detail. | Caption: CHANGE THE ORDER PILOT B — THE SPARE KEY Original fictional faceless micro-mystery Target: a complete short with setup, discovery and ending, not an episode cliffhanger Narration draft: The spare key had been on the shelf for years. Today, someone moved it beside an empty frame. Inside the frame was a tiny paper door. The key did not fit the door. It fit a hidden drawer behind the frame. Inside was a photograph of the room before the shelf existed. Visual plan: shelf and key; empty frame; paper door; failed key attempt; drawer opens; old room photo Continuity: one brass key, one cream frame, one blue shelf; no new key at the reveal Caption plan: SPARE KEY / EMPTY FRAME / WRONG DOOR / ONE MORE TRY / HIDDEN DRAWER / BEFORE THE SHELF This is an original fictional premise, not a generated video or a factual claim PILOT C — THE BAG WITH ONE RED POCKET Original fictional product-led demonstration Target: one clear feature shown through action Narration draft: Everything I need is in this bag. Finding it was the problem. So I gave the small things one red pocket. The keys go here. The card goes here. When I leave, I check one place. One pocket does not make the bag bigger. It makes the next step simpler. Visual plan: fictional canvas bag; searching; red pocket reveal; keys; card; closed bag Continuity: one unbranded cream bag, one red pocket, one brass key and one blank card Do not claim this is a real tested product, customer testimonial or measured time saving REVIEW AFTER AN ACTUAL GENERATION Save output ID and provider, actual duration, charged and refunded credits, model if reported Watch every frame and listen to all speech before accepting Compare exact script, object continuity, captions, ending and usage permissions Record real outcomes in the separate blank review CSV Generation, export and publishing are separate stages